Sunday, I listened to a
radio show in which actress Angelica Houston read "Job's Jobs", a beautifully tragic short story written by Aimee Bender. In this modern version of a Christian myth, God is a bully who unrelentingly growls at Job to give up every creative aspect of his existence. In each interval of censorship God shakes a different weapon at him and mutters things like "you'd better, or else…". In tortured cycles of fright and renewal, the dwindling Job gives up medium after medium, each time innocently picking up a new pursuit to anger the Almighty with.
Sadly, Job never
fights for his right to create--he only runs from each new threat--and the story ends with him gagged and bound in a dark box, doomed to only think of what he was, to only dream of his universe's muses. When I think of this story's fucker of a God, I can't help but think of my multiple sclerosis, my years fearing it, and what damage I'd inflicted against my own passion to create.
So goes the slow
death of art,
where some power
larger than love
censors one toward
a suicide
of the soul.But the story is inspiring. We cannot let "Gods" intimidate us. I will not. This really turned me on to Aimee Bender. I'm going to pick up an anthology of hers at some point, if just to reexperience "Job's Jobs".
++--++
David Byrne reviews his recent Hollywood Bowl show in his
tour journal:
"It nearly sold out — 17,500 tickets! Holy Moses! Three years ago in L.A. I couldn’t sell out the Palace, which holds just over 1,000. But maybe that’s because the Palace crowd is not my demographic? More likely it’s that factor, combined with the fact that this is a KCRW-produced show, which means they promote the hell out of it on their own station for months prior. Being the best station around means the audience often follows where they lead. Plus maybe I’m being appreciated by a new generation."I can definitely vouch for that last sentence. There were tons of twentysomethings in the back rows where I was, and quite a few of them recognized his newer material. It must be hard to be someone who can easily be percieved by youngers as an aging rock star, some antiquated artist chained to the charts, a living "greatest hits" album who should pull back from innovation and "stick to what sells". At that concert David wasn't three songs into his set when some drunk guy behind me obnoxiously (and predictably) shouted "Burnin' Down The House!" like some spoiled kid. I'm glad Mr. Byrne saved that for later and "turned it up to 11" with the Extra Action Marching Band. Probably made that frat guy's night to hear his keg party anthem
and see cheerleader boobies, and it's great he had to expose himself to new things before he got 'em.
"...the high-priced seats up front, mostly filled with corporate comps, take a long time to react, as expected. No surprise there. They finally get begin moving when I throw in some popular Talking Heads songs (ugh.)"No need, Mr. Byrne (though I do like them). Ever forward! More! New! Stuff!
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